Table of Contents
Selecting Non-Toxic Crayons: A Guide for Conscious Artists
What Surfaces Work Best with Crayons in Fine Art Applications?
What Types of Crayons Are Best for Different Art Styles?
What Types of Crayons Are Best for Different Art Styles?
Selecting Non-Toxic Crayons: A Guide for Conscious Artists
In the realm of art supplies, the importance of safety, particularly when it comes to toxicity levels, cannot be overstated. This is especially true in the case of crayons, a staple medium for artists of all ages. When selecting non-toxic crayons, it is crucial to consider a few key aspects. Firstly, look for products that are labeled as non-toxic, which indicates that they have been tested and certified safe for use. Brands often use natural pigments and wax in their non-toxic crayons, avoiding harmful chemicals. It's also worth noting the presence of any allergens, especially if the crayons are intended for young children with sensitive skin. Moreover, high-quality non-toxic crayons should not compromise on colour vibrancy and durability. At The Sydney Art Store, we prioritise your safety and creativity by offering a carefully curated collection of non-toxic crayons from trusted brands, ensuring you can pursue your artistic endeavors with peace of mind.
What Surfaces Work Best with Crayons in Fine Art Applications?
Crayons can be surprisingly versatile when paired with the right surfaces, especially in fine art contexts. Smooth bristol board, textured pastel paper, canvas sheets, and mixed-media paper all serve different purposes depending on the intended effect. Heavier paper weights support layering and pressure variation without tearing or warping, while toothy surfaces allow the crayon pigment to grip better for more saturated application. Artists may also experiment with toned or coloured paper to bring out contrast and depth. For those using water-soluble or oil-based crayons, choosing surfaces that handle moisture or blending techniques well is essential. The surface selected can dramatically affect the end result, influencing texture, opacity, and layering. Selecting the right paper ensures crayon techniques—from soft shading to bold blocking—shine with clarity and richness.
What Types of Crayons Are Best for Different Art Styles?
Conte A Paris Carre Crayons
$5.50
Conte Sketch Crayon
$5.80
Conte Crayon Sketch Match Box Set 4
$20.70
The best type of crayon depends on the artist’s medium, surface, and desired aesthetic. Traditional wax crayons are ideal for bold colour application and are easy to layer, while oil-based crayons provide richer, more buttery marks suitable for painterly techniques. Water-soluble crayons are perfect for artists who want the freedom to blend with a brush or combine dry and wet media. There are also professional-grade crayons formulated for durability and lightfastness, which are preferred for display pieces. For illustration, finer-point crayons or crayon pencils allow better control and sharper detail. Those working in mixed media might opt for soft or creamy crayons that integrate easily with other textures. Choosing the right type ensures that the tool complements the technique, not limits it.
What Makes The Sydney Art Store a Trusted Destination for Crayons?
Artists rely on The Sydney Art Store not only for product variety but also for our deep understanding of creative needs. Our crayon range is handpicked to support a wide spectrum of styles—from traditional drawing to modern, experimental art. We offer guidance on selecting the right type of crayon, whether wax-based for sketching or water-soluble for painterly effects. With top-tier brands known for pigment quality and archival performance, we ensure that you can work with confidence and consistency. Plus, our wide selection of compatible materials—such as papers, sealants, and tools—makes us a one-stop destination for both personal projects and professional commissions. With an emphasis on support and product quality, The Sydney Art Store has earned its reputation as a go-to source for crayon-based artistic exploration.
