{"title":"Matisse Mediums +","description":"\u003cp\u003eMatisse Mediums + offers a premium range of artist mediums designed to enhance acrylic and oil painting techniques. Originating from Australia, Matisse products are known for their superior quality and versatility, suitable for both professional and emerging artists.\u003c\/p\u003e\u003cp\u003eThis collection includes gels, pastes, and mediums that improve texture, drying time, and finish, helping artists achieve optimal results in their creative projects.\u003c\/p\u003e","products":[{"product_id":"matisse-dry-medium-pumice-250ml","title":"Matisse Dry Medium Pumice 250ml","description":"\u003cp\u003eFine off-white to pale cream pumice powder, light greyish white. Part of the Matisse Dry Mediums range by Derivan.\u003c\/p\u003e\n\u003cp\u003eMix into Matisse acrylic mediums and binders to build highly textured grounds for painting, mixed media, and collage. Pumice creates a unique surface profile that interacts beautifully with acrylic paints and washes.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTexture:\u003c\/strong\u003e fine off-white to pale cream pumice powder, light greyish white\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize:\u003c\/strong\u003e 250ml jar\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eManufacture:\u003c\/strong\u003e Made in Australia\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"Default Title","offer_id":44972222578975,"sku":"1MD2PUM","price":22.3,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/CElCSPWrHqDsXvXg.jpg?v=1782429982"},{"product_id":"matisse-mm36-high-tooth-gesso","title":"Matisse MM36 High Tooth Gesso","description":"\u003cp\u003eCreate masterpiece after masterpiece with Matisse MM36 High Tooth Gesso. This water-based ground with a high tooth finish is perfect for canvas, board, wood panels, or paper. Achieve a bright white, matte surface that provides excellent \"bite\" for encaustic work or as a primer for soft and oil pastels. Simply apply straight from the container and let your creativity flow! Make your artwork stand out with this easy-to-use and economical alternative to traditional gessoes.\u003c\/p\u003e","brand":"MATISSE GROUNDS","offers":[{"title":"250ml","offer_id":44973991297311,"sku":"1MM2M36","price":18.96,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44973991330079,"sku":"1MM1LM36","price":45.31,"currency_code":"AUD","in_stock":true},{"title":"4 Litre","offer_id":45750669377823,"sku":"1MM4LM36","price":155.72,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm36-high-tooth-gesso-matisse-grounds-1-litre-matisse-56553817178399.jpg?v=1726423368"},{"product_id":"matisse-mm27-low-viscosity-gesso","title":"Matisse MM27 Low Viscosity Gesso","description":"\u003cp\u003eIntroducing Matisse MM27 Low Viscosity Gesso - the perfect choice for artists seeking a smoother application! This gesso offers a bright white colour, soft tooth, and a flat finish. With its creamy texture, it's easy to brush out and manipulate with a knife. For optimal adhesion and surface protection, apply 2 coats (or more if needed) to your substrate before painting. Experience the ease of creating with Matisse MM27 Low Viscosity Gesso!\u003c\/p\u003e","brand":"MATISSE GROUNDS","offers":[{"title":"500ml","offer_id":44973991526687,"sku":"1MM5M27","price":24.4,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44973991559455,"sku":"1MM1LM27","price":45.22,"currency_code":"AUD","in_stock":true},{"title":"4 Litre","offer_id":44973991592223,"sku":"1MM4LM27","price":155.72,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm27-low-viscosity-gesso-matisse-grounds-1-litre-matisse-mm27-low-viscosity-gesso-art-supplies-online-matisse-56553723265311.jpg?v=1726682939"},{"product_id":"matisse-mm25-black-gesso","title":"Matisse MM25 Black Gesso","description":"\u003cp\u003eCreate stunning art on a bold black canvas with Matisse MM25 Black Gesso. This water-based primer provides a flexible and permanent base for your artwork on canvas, board, or paper. Its intense black colour and excellent tooth make paint manipulation a breeze. Thin down with water for the perfect consistency. Tighten the canvas and enjoy a highly pigmented \"low tooth\" gesso for vibrant coloured backgrounds. Unleash your creativity with Matisse MM25 Black Gesso!\u003c\/p\u003e","brand":"MATISSE GROUNDS","offers":[{"title":"500ml","offer_id":44973991624991,"sku":"1MM5M25","price":24.4,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44973991657759,"sku":"1MM1LM25","price":45.22,"currency_code":"AUD","in_stock":true},{"title":"4 Litre","offer_id":44973991690527,"sku":"1MM4LM25","price":155.72,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm25-black-gesso-matisse-grounds-1-litre-matisse-56553847783711.jpg?v=1726423907"},{"product_id":"matisse-mm10-gesso-1","title":"Matisse MM10 Gesso","description":"\u003cp\u003eCreate a flawless canvas for your art with Matisse MM10 Gesso. 🎨 This flexible primer provides an intense white surface with excellent tooth for easy paint manipulation. Use equal parts of water when applying to raw canvas\/linen and seal the surface before applying acrylic or oil paints. To achieve different textures, vary your application method. Let your creativity shine with Matisse MM10 Gesso!\u003c\/p\u003e","brand":"MATISSE GROUNDS","offers":[{"title":"250ml","offer_id":44973991854367,"sku":"1MM2M10","price":18.96,"currency_code":"AUD","in_stock":true},{"title":"500ml","offer_id":44973991887135,"sku":"1MM5M10","price":24.4,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44973991919903,"sku":"1MM1LM10","price":45.22,"currency_code":"AUD","in_stock":true},{"title":"4 Litre","offer_id":44973991952671,"sku":"1MM4LM10","price":155.72,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm10-gesso-matisse-grounds-1-litre-matisse-56553870721311.png?v=1726682757"},{"product_id":"matisse-mm26-transparent-gesso-pastel-primer","title":"Matisse MM26 Transparent Gesso (Pastel Primer)","description":"\u003cp\u003eCreate stunning pastel artworks with Matisse MM26 Transparent Gesso. This specially formulated primer enhances the grip for pastels and allows for easy paint manipulation. Mix with Matisse Background Colours for a coloured primer or apply alone for a transparent base on canvas, board, or paper. Tighten canvas and achieve the perfect tooth for your paintings. Ideal for artists and crafters looking to elevate their work effortlessly.\u003c\/p\u003e","brand":"MATISSE GROUNDS","offers":[{"title":"250ml","offer_id":44973992608031,"sku":"1MM2M26","price":19.47,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44973992640799,"sku":"1MM1LM26","price":59.76,"currency_code":"AUD","in_stock":true},{"title":"4 Litre","offer_id":44973992673567,"sku":"1MM4LM26","price":194.48,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm26-transparent-gesso-pastel-primer-matisse-grounds-1-litre-matisse-56553833169183.jpg?v=1726423916"},{"product_id":"matisse-mm13-fabric-fixative-250ml","title":"Matisse MM13 Fabric Fixative 250ml","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA great idea for the all-round artist. A way in which, if you feel like painting on fabric and making it last, you need not buy a whole range of fabric paints. \u003cstrong data-mce-fragment=\"1\"\u003eMM13\u003c\/strong\u003e Fabric Fixative mixed with Matisse Colours, preferably Flow Formula, will become permanent on T-shirts or most other garments after heat fixing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMix equal parts of Fabric Fixative and Matisse Flow Formula Acrylic, then paint and let dry before you heat-set with an iron to become wash-fast.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHeat-set by ironing on the reverse side of the painted area or put a tea towel over the painted area and heat-set with an iron (see below). Do not allow the iron to make contact with the paint. Some synthetic fabrics are non-absorbent and thus not suited for paint application. It is possible to thin the paint with water and achieve stain effects or delicate watercolour brushouts. Test your fabric choice beforehand.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlthough white in colour, this product will not alter the paint colour when blended in the correct ratios. Drying time is approximately 2- 5 hours, depending upon weather conditions and the thickness of application. Avoid the use of heavy layers and thick textures, as these may crack or peel over time. Do not allow to freeze.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eHeat Fix Times \u0026amp; Temperatures\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePlease note heat fixing times and temperatures are subject to vary depending on the accuracy of the settings in the appliance to be used. \u003cstrong data-mce-fragment=\"1\"\u003eThe following is a guide only:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCotton, calico, linen, rayon 4-5 minutes at 140°C - 180°C\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSynthetics, nylon, polyester, tetron, acrylic 5-8 minutes at 115°C - 130°C\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e[space height=\"5\"] It is important to remember that valuable projects always warrant a test. Heat fixing tests should always be done on the fabric to determine temperature and time required to make the image fast (permanent) but without scorching the particular fabric. Test by heat fixing a trial strip and washing on a heavy duty cycle.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"Default Title","offer_id":44974007550239,"sku":"1MM2M13","price":20.74,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm13-fabric-fixative-250ml-matisse-mediums-matisse-56553724281119.jpg?v=1726423725"},{"product_id":"matisse-mm31-open-medium","title":"Matisse MM31 Open Medium","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMM31 \u003c\/strong\u003eOpen Medium is formulated to be mixed with either Matisse Structure or Matisse Flow acrylic colours to assist in prolonging drying time while maintaining the consistency of the paint. When mixed with Matisse Structure, they will retain their impasto quality, while Matisse Flow Acrylics will keep their smooth flowing feel with added body but not viscosity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOptimal for painting outdoors or in particularly hot weather, MM31 Open Medium allows the paint to be blended on the painting surface for longer. Artists will be delighted with the way this medium makes their paint handle, so smooth and buttery. Be surprised by the glowing satin finish that this medium imparts to the paints.\u003c\/p\u003e\n\u003cblockquote class=\"s_blockquote s_blockquote_classic w-100 mx-auto o_animable blockquote\" data-snippet=\"s_blockquote\" data-name=\"Blockquote\" data-mce-fragment=\"1\"\u003e\n\u003ci class=\"s_blockquote_icon fa fa-1x fa-quote-left bg-o-colour-2 rounded\" data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\n\u003cdiv class=\"s_blockquote_content bg-100\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI have just tried the Open Medium MM31 and I love it!...I have been trying to create soft blending on a portrait as I would with pastels or oils and was frustrated by when the paint dried too quickly. I love the fact that I can now rework an area of my painting without the risk of getting the paint too wet to adhere properly or too thin to provide adequate coverage of lower layers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWELL DONE MATISSE, and thank you for creating a product which behaves more like my beloved Oils.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cfooter class=\"blockquote-footer\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s_blockquote_author\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e- Jenny Robbins \u003c\/b\u003e  \u003c\/span\u003e\u003c\/footer\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1560921408492_18528\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"sqs-block-content\" data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eMixing Ratios\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs little as 10% MM31 Open Medium to the paint, will lengthen the working time, allowing satisfying, smooth blends. By choosing to use smaller amounts of medium, the blending time is increased, but drying time is not drastically increased. However, a larger amount of Open Medium will dramatically increase the working time of the paint. The maximum retardation of drying time is reached with an equal mixture of paint to medium. Beyond this point, any further additions of MM31 Open Medium will result in minimal increases of drying time but may reduce waterfastness of the dried paint. However larger proportions (more medium than paint) will give transparency and will aid effective layering.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs well as allowing more time to blend on the surface, paint mixed with MM31 Open Medium will stay fresh on the palette for several hours, depending both on the weather conditions and the quantity of MM31 Open Medium used. Easy to use, MM31 Open Medium will allow the reworking of areas of a painting in a way not previously possible.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe gel-like consistency of MM31 Open Medium allows it to remain in place on the palette, therefore it is suitable to be brush-mixed while painting, as well as to be pre-mixed on the palette.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":44974007648543,"sku":"1MM2M31","price":20.74,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974007681311,"sku":"1MM1LM31","price":66.56,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm31-open-medium-matisse-mediums-matisse-56553899163935.png?v=1726683118"},{"product_id":"matisse-mm12-clear-sealer","title":"Matisse MM12 Clear Sealer","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpecially formulated for folk art techniques. This Medium is primarily used to provide a clear sealant layer to substrates.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMM12\u003c\/strong\u003e Clear Sealer can be used on raw wood if you are not using a Matisse Background Colour (which has a built-in sealer) and want to paint a design on the raw wood leaving the natural grain revealed. MM12 Clear Sealer will block tannins from wood bleeding through subsequent layers. It can also be used on glass, ceramics, terracotta pots and new metal. All surfaces should be clean and dust-free before MM12 Clear Sealer application.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor porous surfaces such as wood, terracotta pots, unfired ceramics, etc. apply diluted with up to 1 part water to 2 parts MM12 Clear Sealer.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYou can also stain and seal wood. For a great effect, add a small amount of Matisse Flow artists acrylic in the desired colour and apply evenly, finishing one surface at a time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWater-resistant, quick drying and flexible. Do not allow to freeze.\u003c\/p\u003e","brand":"MATISSE VARNISH","offers":[{"title":"250ml","offer_id":44974007714079,"sku":"1MM2M12","price":19.47,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974007746847,"sku":"1MM1LM12","price":59.76,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm12-clear-sealer-matisse-varnish-matisse-56553751904543.jpg?v=1726682935"},{"product_id":"matisse-mm38-acrylic-thickener-250ml","title":"Matisse MM38 Acrylic Thickener 250ml","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUse MM38 acrylic thickener as an alternative to adding gels and other impasto or building mediums to paint which work by imparting their own thicker bulk to a paint mix. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis medium chemically thickens the paint. It is a rheology modifier, that is, it changes the flow and viscosity of the paint, without losing any colour. You may notice a reduced sheen in some colours once dried film which can be adjusted with varnish once dry. \u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eApplication \/ Use\u003c\/h3\u003e\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdd a few drops to acrylic paint and work it into the paint with a pallet knife.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eContinue to work the paint with the pallet knife until you see the paint thicken.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIf you don't see results straight away keep working the paint it will thicken, patience is the key here.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUse within 24 hours of mixing in - \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e*Use 2-3 % to your paint - any more than 5-7% (depending on the original viscosity) will not continue to thicken the paint but possibly start to thin it down again. \u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eMethod:\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach Matisse paint colour will require a different amount to be added to reach the same consistency. Different colours may require differing amounts of the medium. Compatible with all Matisse acrylic colours. \u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eDrying Time\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe thickness of the application of this product will determine the length of drying time. For a thin coat, a standard estimation is 48hrs, but prevailing atmospheric conditions upon application will influence drying time (humidity, heat, cold, etc.). \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e*WARNING do not force dry or use in temperatures above 30℃ as premature skinning may occur trapping water in the coating resulting in an opaque or\u003c\/p\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1585631682344_6025\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"sqs-block-content\" data-mce-fragment=\"1\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFinish\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSemi-Gloss to Matt Finish.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eClean-Up\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eClean brushes, palette knives, jugs and hands with warm, soapy water.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"Default Title","offer_id":44974007779615,"sku":"1MM2M38","price":29.16,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm38-acrylic-thickener-250ml-matisse-mediums-matisse-56553681453343.jpg?v=1726683298"},{"product_id":"matisse-mm37-self-leveling-medium","title":"Matisse MM37 Self Leveling Medium","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM37 Matisse Self Leveling Medium is a clear product that when applied to a surface or as a paint additive will automatically spread and create a smooth, glossy finish with minimal surface texture. It is ideal for high gloss thick varnishing, pouring and marbling techniques. Apply with a brush, palette knife or jug.  Can be tinted with Matisse Flow Acrylics or Matisse Inks.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eApplication \/ Use\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere are many application methods for this product, providing the artists with a myriad of possibilities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt can be tinted with the addition of Matisse Ink or Matisse Flow Acrylic Paint. Using ink will maintain transparency and a glossy finish, while the use of acrylic paint will make the final result more opaque and less glossy. Only a small amount (less than 10%) of either paint or ink is required.  If you are using Self Leveling Medium for acrylic pouring techniques, you can adjust the viscosity by adding up to 20% water to it.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs this product is white in the container, the addition of colour will initially produce a pastel blend, but this will develop into a bright, transparent colour after the drying process is completed. This drying time must be taken into account when applying multiple layers of colour if the artist wants to see how the colour will develop between layers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIf Self Leveling Medium has been applied and bubbles have developed (while the coating is still wet), a pin can be used to release the air from larger bubbles. This is not always practical for multiple, smaller ones. These may be able to be removed with a spray application of \u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eisopropyl alcohol\u003c\/em\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e, which is readily available in pharmacies. After decanting into a small spray bottle lightly spray the isopropyl alcohol onto the wet surface. It will immediately break the surface tension and release the bubbles. Be aware that the medium itself will also spread slightly.\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMM37 Self Leveling Medium\u003c\/strong\u003e can also be used to create transparent polymer\/acrylic layers that can be peeled away and added to mix media artworks when applied to a non stick surface such as PP \u003cem data-mce-fragment=\"1\"\u003e(Polypropylene)\u003c\/em\u003e or PE \u003cem data-mce-fragment=\"1\"\u003e(Polyethylene\u003c\/em\u003e) plastic sheets.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eMethod:\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter colour has been added to the medium  and left to stand, it can be poured onto plastic ring binder sleeves and left to dry. Once dry and peeled, the soft, plastic-like formations can also be easily cut with scissors to any desired shape. Unfortunately, acetate sheets or glass surfaces are not recommended for this process as the medium will adhere to the surface, therefore standard plastic ring binder sheets are ideal.Hint\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSmall objects such as beads and thread can also be embedded into the surface. Simply add the objects to the wet medium and allow to dry.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eIn Varnishing\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMM37 Self Leveling Medium\u003c\/strong\u003e is archival and can be used over any acrylic painted surface (as long as it is thoroughly dry) to create a high gloss, resin-like coat of varnish. It can be applied by pouring but this technique is recommended only for the application on rigid substrates. It is impotrtant to remember that since Matisse MM37 is a water based medium, it is not suitable for use over oil painted surfaces. The use of a brush is recommended when varnishing flexible surfaces to avoid \u003cem data-mce-fragment=\"1\"\u003e\"pulling\"\u003c\/em\u003e due to surface tension of the product.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eMethod:\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCreate a masking tape border around the edges of the board to keep the medium from dripping down the sides, and leave the tape in place until the medium is dry. Then, simply pour on and gently roll the board to allow the medium to flow and coat the entire surface. Let this coat of medium dry and remove the tape. Any ridges that formed along the edge against the tape wall can be trimmed with a scalpel or hobby knife. Larger areas that cannot be rolled may need to have the medium gently brushed over the surface. A soft-bristle brush is recommended and a light touch is required as over brushing and manipulating the medium excessively for long periods as it is curing, can affect the smoothness of the finish. In terms of application, one coat of MM37 Self Leveling Medium gives the same finish as approximately two to three layers of a standard acrylic gloss varnish.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis medium has been formulated so you can adjust the viscosity. You can add up to 20% water to thin this product. DO NOT ALLOW TO FREEZE.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eDrying Time\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe thickness of application of this product will determine the length of drying time. For a thin coat, a standard estimation is 48hrs, but prevailing atmospheric conditions upon application may influence drying time (humidity, heat, cold, etc.).WARNING do not force dry or use in temperatures above 30℃ as premature skinning may occur trapping water in the coating resulting in an opaque or cloudy finish.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFinish\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMatisse MM37 has a HI-Gloss finish and may become more so with thicker or multiple applications.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":44974007877919,"sku":"1MM2M37","price":20.74,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974007910687,"sku":"1MM1LM37","price":66.56,"currency_code":"AUD","in_stock":true},{"title":"4 Litre","offer_id":44974007943455,"sku":"1MM4LM37","price":211.91,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm37-self-leveling-medium-matisse-mediums-matisse-56553899229471.jpg?v=1726683295"},{"product_id":"matisse-mm32-light-modelling-paste","title":"Matisse MM32 Light Modelling Paste","description":"\u003cp data-mce-fragment=\"1\"\u003eMM32 Light Modelling Paste is a modelling compound that has the same qualities as our regular MM2 Impasto Medium, but with a lighter body and finish. Like traditional impasto products, Light Modelling Paste is used to build relief and texture and it can be used on its own or mixed with paint, ink or pigment.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eLight Modelling Paste and Impasto Medium:\u003c\/h2\u003e\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLight Modelling Paste is lighter in weight than regular impasto.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLight Modelling Paste dries to a matte white finish unlike Impasto, which dries to a cream, satin-gloss finish.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBoth take acrylic paint well.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBoth can be blended together for interesting textural effects.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe slight texture of the Light Modelling Paste makes it suitable for use with dry pastels where the texture of Impasto may be too smooth to be suitable for this purpose.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMany artists use texture as means of expression in their paintings. Acrylic paints are generally known for their thicker consistency. However, they may not be thick enough to create the kinds of tactile textures sought by an artist. Although MM2 Impasto Medium is used to increase the body of acrylic paints, modelling compounds are sometimes needed to achieve more highly textured surfaces, as they retain the indentations and peaks made when applied and manipulated.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDerivan has created a unique variation on traditional impasto mediums called Light Modelling Paste. As the name suggests, this product contains a lighter-density filler that results in a lighter version of MM2 Impasto Medium. It dries to an off-white opaque finish with a grainy, absorbent surface. This product is particularly good for creating high peaks of varying sizes; it is flexible and does not shrink when it dries. It is compatible with all Derivan acrylic paints and products (ie: Inks) and comes in 250ml screw-top jars.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM32 Light Modelling Paste is a very light product in terms of weight and can be used in large quantities that will not cause canvas to stretch or sag. Straight from the container, Light Modelling Paste is a frothy, grainy compound that can be applied with either a firm-bristled brush or palette knife. Although this medium can be applied to all rigid substrates (ie: board, canvas panels, etc), its light texture and flexibility makes it an excellent choice for applying to thick paper as well as canvas. It is non-toxic when used as directed. Unfortunately, it is not suitable for use as an adhesive.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eUse\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn terms of basic instruction, the uses of Light Modelling Paste are many. The most effective is to apply it straight from the container using either a firm bristled brush or a palette knife. Once dry, you can paint directly onto the surface with any of the Derivan or Matisse acrylic paints, creating a colourful, textured surface.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePaint can also be mixed directly into this product. MM32 allows for free intermixing with Matisse colours in any proportion. There is very little visual colour loss when up to 20% of MM32 Light Modelling Paste is mixed into Matisse colours. It is important to note that the opaque, semi-matt nature of MM32 will, sometimes, visually affect the result of mixtures with a higher proportion of medium to paint. Pastel tones of the original colour or reduced refraction levels may be apparent.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTesting and experimentation is recommended to ensure application of mixtures are suitable to individual art projects.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLight Modelling Paste can also be painted whilst wet and then scored, creating white marks, once overpainted, where the scoring lines are present. Spread a thick layer on to a surface with a palette knife. While still wet, lightly apply a layer of acrylic paint to the surface with a soft brush, and then use the back end of a brush to draw lines into the surface. Some of the paint will bleed into the indentations, but there will be a contrast between the painted surface and the white paste underneath.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe unusual porous surface of Light Modelling Paste also allows the artist to experiment with unique watercolour finishes. After the paste has dried, cover the surface in a light wash of water and then apply either watercolour or acrylic paint. The paint will start to bleed and stain into the surface in much the same fashion as watercolour does. This feature enables watercolour artists to incorporate unique finishes into their works by using Light Modelling Paste to add texture to certain sections while allowing\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003efor a consistent watercolour finish. Inks can also be used to similar effect and Derivan has a range of Matisse Artist Quality Inks that are highly pigmented and perfect for use with this product.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis porous surface of Light Modeling Paste also makes it suitable for use with both dry pastels and oil pastels. As previously mentioned, it can be tinted with acrylic paint to create a customised colour surface for pastel use.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlthough the absorbent surface is a key feature of this product, this can be minimised if required with the application of either MM7 Polymer Gloss Varnish \u0026amp; Medium (water-based) or \u003ca href=\"https:\/\/derivan-matisse.squarespace.com\/products\/matisse-mediums\/full-list-of-matisse-mediums\/mm6-polymer-matt-varnishmm2m06\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/derivan-matisse.squarespace.com\/products\/matisse-mediums\/full-list-of-matisse-mediums\/mm6-polymer-matt-varnishmm2m06\" target=\"_blank\"\u003eMM6 Polymer Matt Varnish\u003c\/a\u003e. After the paste has dried, apply a minimum of two coats with a soft brush.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAn additional full range of Derivan and Matisse acrylic paint mediums is available and there is no reason why they cannot be used together with MM32 Light Modelling Paste. For example, the Impasto Medium and the Light Modeling Paste can be used to different textural effects on a beach landscape. Impasto Medium creates swirling, textured waves, while the grainy finish of Light Modeling Paste can be used to create sand. Derivan water based varnishes can also be used over all mediums to seal the entire painting and create either a matt, satin, or gloss finish.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eClean Up\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLight Modeling Paste is easily cleaned up with soap and warm water while wet. It is much harder to remove when dry. Keep any utensils wet while in use. As with many mediums, it also highly susceptible to evaporation and thus the cap will need to be replaced when not in use. Do not allow to freeze.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFinish\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMatte and slightly rough to the touch.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eDrying Time\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eApproximately 2 hours to 6 days, depending upon the thickness of application and ambient temperature and humidity.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":44974008074527,"sku":"1MM2M32","price":20.74,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974008107295,"sku":"1MM1LM32","price":66.56,"currency_code":"AUD","in_stock":true},{"title":"4 Litre","offer_id":44974008140063,"sku":"1MM4LM32","price":211.91,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm32-light-modelling-paste-matisse-mediums-matisse-56553906503967.png?v=1726683286"},{"product_id":"matisse-mm30-matt-gel-medium","title":"Matisse MM30 Matt Gel Medium","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtists who prefer a matt finish will love \u003cstrong data-mce-fragment=\"1\"\u003eMM30 Matisse Matt Gel Medium\u003c\/strong\u003e. Matisse’s original Gel Medium is a long-time favourite of artists and craftspeople alike, providing texture and adhesion in a glossy finish. Matisse MM30 Matt Gel Medium also provides texture and depth, while remaining matt. Matisse Gel mediums are also chosen by collage and mixed media artists for their adhesive character.  Now, these same valued qualities can also be obtained in a matt finish.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe main aim of the MM30 Matt Gel Medium is to act as a semi-clear transparent colour extender in the production of brilliant coloured glazes and as a transparent impasto for thick three-dimensional brush and knife applications of Matisse Structure. Its prime requirement is to be thick and buttery whilst remaining semi-transparent, with a subdued sheen level.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eApplication\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM30 Matt Gel Medium acts as the main intermixing medium in acrylic painting when a rich buttery-like consistency is required for in impasto work, three-dimensional extrapolations, multi-layer work and heavy, smooth or textural glazes. When dry, it maintains the structure, brushstrokes and textural effects of undiluted Matisse Structure Formula colours. Its inherent firm and smooth consistency makes it ideal for application by palette knife in order to achieve heavily textured grounds. MM30 Matt Gel Medium, because of its viscous non-spreading consistency, enables the artist to apply thick and heavily defined brushstrokes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is recommended that a starting point of 5% acrylic paint be added to this medium. When mixed, the blended paint and gel medium should be a very pale version of the original paint colour. As it dries, the transparent qualities of this medium become apparent, and the richness of the acrylic colour will develop. Although it may be tempting to add more paint, doing so will reduce the transparent effect, resulting in thick, matt, opaque layers of colour. Do not allow to freeze.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMatisse artists acrylic colours are designed to dry with a subdued low sheen. Liberal additions of MM4 Gel Medium to Matisse paint will tend to increase the gloss level of the finished work. However to lower the sheen level to a subdued matt finish use MM30 Matt Gel Medium intermixed with the Matisse colours.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":44974008697119,"sku":"1MM2M30","price":20.74,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974008729887,"sku":"1MM1LM30","price":66.56,"currency_code":"AUD","in_stock":true},{"title":"4 Litre","offer_id":44974008762655,"sku":"1MM4LM30","price":211.91,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm30-matt-gel-medium-matisse-mediums-matisse-56553904111903.png?v=1726683115"},{"product_id":"matisse-mm22-print-paste","title":"Matisse MM22 Print Paste","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMM22\u003c\/strong\u003e Print Paste has been especially formulated for use with Matisse Colours to screen print on paper.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eDirections\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMix thoroughly equal parts of MM22 Print Paste and Matisse Colour (Flow or Structure Formula). Adjust ratio to achieve the required viscosity, intensity and drying time. The more MM22 Print Paste used, the longer the drying time and the more transparent the print will be. The more Matisse Acrylic Colour used, the quicker the drying time and the more intense the colour will be.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM22 Print Paste is designed to stay open in the screen; however, if longer drying time is required, add up to 5% MM1 Drying Retarder. Sheen and waterfastness may be improved by adding MM7 Polymer Gloss Varnish. Wash screens and implements in water. If paste dries in the screen, soak overnight in lukewarm soapy water.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"1 Litre","offer_id":44974008795423,"sku":"1MM1LM22","price":53.13,"currency_code":"AUD","in_stock":true},{"title":"4 Litre","offer_id":44974008828191,"sku":"1MM4LM22","price":153.7,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm22-print-paste-matisse-mediums-matisse-56553893822751.png?v=1726423737"},{"product_id":"matisse-mm24-iridescent-medium","title":"Matisse MM24 Iridescent Medium","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMM24 Iridescent Medium\u003c\/strong\u003e is formulated to be mixed with the Matisse Structure or Flow Formula acrylic paints to add an iridescence (metallic sheen) to them.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis medium can be mixed in any proportion with Matisse Colours.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM24 Iridescent Medium is based on pure iridescent pigment and contains no fillers or titanium dioxide; therefore the resultant mixes of iridescent colours are far more intense and richer in colour.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHint:\u003c\/strong\u003e The MM24 Iridescent Medium mixed with Matisse colours looks great over a black background.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAvailable in 250ml and 1 Litre sizes.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":44974008860959,"sku":"1MM2M24","price":24.74,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974008893727,"sku":"1MM1LM24","price":86.3,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm24-iridescent-medium-matisse-mediums-matisse-56553799909663.jpg?v=1726423740"},{"product_id":"matisse-mm20-water-based-patina","title":"Matisse MM20 Water-Based Patina","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMM20\u003c\/strong\u003e Water Based Patina is a glazing medium designed to slow the drying time of the paint but keep the binding and waterfast capacity of the paint intact, no matter how little paint is used. MM20 Water-Based Patina will allow time for the free movement of the paint and contains extra binder so that only small amounts of paint can be used (as little as 5% paint) in a glaze form whilst still remaining waterfast once dry.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA great way to antique without the hassle of oil-based mediums. MM20 Water-Based Patina only takes 4 to 6 hours to dry.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e[space height=\"30\"]\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eDirections for using MM20:\u003c\/h2\u003e\n\u003col data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eClean project of all dust, grease and oil.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMoisten your project all over with a cotton cloth soaked in MM20 Water-Based Patina to prevent the surface from absorbing too much colour.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDab Matisse Flow Burnt Umber or Raw Umber on the cloth soaked in MM20 Water-Based Patina and spread over your project beginning at the outside edge an d moving into the centre.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWipe back excess colour to desired effect with a clean cloth.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIf you have made your item too dark, apply MM20 Water-Based Patina to a clean cloth and wipe over to remove colour while the project is still wet.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAllow antiquing to dry at least 24 hours, depending on the weather and how heavily the project was antiqued.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":44974008926495,"sku":"1MM2M20","price":19.47,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974008959263,"sku":"1MM1LM20","price":59.76,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm20-water-based-patina-matisse-mediums-matisse-56553793421599.png?v=1726423735"},{"product_id":"matisse-mm16-marbling-gel","title":"Matisse MM16 Marbling Gel","description":"","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":44974008992031,"sku":"1MM2M16","price":19.47,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974009024799,"sku":"1MM1LM16","price":59.76,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm16-marbling-gel-matisse-mediums-matisse-56553849454879.png?v=1726423728"},{"product_id":"matisse-mm9-painting-medium","title":"Matisse MM9 Painting Medium","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMM9\u003c\/strong\u003e Acrylic Painting Medium is a pure acrylic binder used in formulating Matisse Colours and acts as the principal paint \"dilutant\" when not using water.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWater may be used with the Matisse colours. However, the addition of more than 30-50% water to Matisse Colours will reduce not only their colour strength (which, of course, is generally the required result) but will also reduce the \"binding\" capacity of the Matisse colours.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis may lead to the Matisse colours becoming water-sensitive. MM9 Acrylic Painting Medium is used in addition with equal parts water to ensure the Matisse Colours remain waterfast when they are reduced for glazing or any other purpose where water is added to the paint.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM9 Acrylic Painting Medium with its low sheen and good adhesion makes it a suitable transparent primer or surface conditioner for canvas, paper or board.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":44974009057567,"sku":"1MM2M09","price":19.47,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974009090335,"sku":"1MM1LM09","price":59.76,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm9-painting-medium-matisse-mediums-matisse-56553854959903.jpg?v=1726423186"},{"product_id":"matisse-mm8-spreader-medium","title":"Matisse MM8 Spreader Medium","description":"\u003cp data-mce-fragment=\"1\"\u003eMatisse \u003ca href=\"https:\/\/derivan-matisse.squarespace.com\/products\/matisse-structure-formula\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/derivan-matisse.squarespace.com\/products\/matisse-structure-formula\" target=\"_blank\"\u003eStructure Formula\u003c\/a\u003e paint offers a thick buttery consistency suitable for impasto, oil painting and brush stroke techniques: its high tintorial strength permits ready dilution with water or mediums to allow the artist free expression by selective use of these mediums, for the results desired.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe purpose of \u003cstrong data-mce-fragment=\"1\"\u003eMM8 Spreader Medium\u003c\/strong\u003e is to spread large volumes of colour over selected areas while maintaining a controlled paint viscosity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is customary to add MM8 Spreader Medium to Matisse Colours until the required volume of paint is attained. Inversely, Matisse Colour can be added in small or large increments to the MM8 Spreader Medium but, because of the heavy-bodied consistency of Matisse Structure, lumping could occur and it is advisable to pre-dilute the Matisse Structure with a little water.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM8 Spreader Medium is a transparent flowing paste. It dries fairly \"flat\" and, when dry, can hardly be discerned on a painted or unpainted area, i.e. it leaves almost no stain. Its main application is for glazing where it imparts fine flow and controlled spreadability and lubrication to the paint. Used on its own, the medium does not dry waterproof and can therefore be used as an intermediary between two partially dried paint films if some water-sensitivity for wash areas is desired. Applied over a dried paint film, it gives a wet upon wet effect but will recede to an almost invisible film when dry.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM8 Spreader Medium can be used to pre-dilute Matisse Colour to infinity, thereby increasing transparency and some water-sensitivity to paint film. MM7 Polymer Gloss Varnish (Gloss Medium) or MM5 Matt Medium are the natural intermixes with the MM8 Spreader Medium to impart absolutely controlled water resistance. As MM8 Spreader Medium dries relatively slowly when applied over a well-primed or heavily painted area, it increases workability within the paint.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM7 Polymer Gloss Varnish or MM5 Matt Medium would tend to dry very rapidly when used on their own thereby defeating the purpose of carefully controlled glazing. Soft colour hues and delicate tone-on-tone transitions are obtained by using MM8 Spreader Medium. Pre-additions of 1 part MM7 Polymer Gloss Varnish or MM5 Matt Medium to 4 parts of MM8 Spreader Medium are sufficient to impart water resistance to the medium.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":44974009123103,"sku":"1MM2M08","price":19.47,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974009155871,"sku":"1MM1LM08","price":59.76,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm8-spreader-medium-matisse-mediums-matisse-56553878094111.jpg?v=1726683479"},{"product_id":"matisse-mm5-matt-medium","title":"Matisse MM5 Matt Medium","description":"\u003cp data-mce-fragment=\"1\"\u003eThis is an additive for intermixing with Matisse Colours (not a finishing varnish). Incorporation of the medium within the paint will reduce the sheen of Matisse to a very flat or low sheen finish suitable for work to be photographed. Resultant dried films of Matisse Colours will look more like tempera colours or gouache.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe use of MM5 Matt Medium in hard edge painting, particularly in large coloured areas is most beneficial as it helps to eliminate side sheen and the unfavourable appearance of accidentally highlighted brush strokes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs Matisse Colours are highly concentrated paints, pre-determined mixtures of water and MM5 Matt Medium should be the prime factors in hard edge work. Additions of MM1 Drying Retarder or MM3 Surface Tension Breaker will further facilitate the satisfactory application of the acrylic paint over large flat coloured areas by increasing flow.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM8 Spreader Medium will have similar results in conjunction with the MM5 Matt Medium and the Matisse Professional Artist Acrylics.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":44974009450783,"sku":"1MM2M05","price":19.47,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974009483551,"sku":"1MM1LM05","price":59.76,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm5-matt-medium-matisse-mediums-matisse-56553605202207.jpg?v=1726683475"},{"product_id":"matisse-mm3-tension-breaker-250ml","title":"Matisse MM3 Tension Breaker 250ml","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMM3\u003c\/strong\u003e Surface Tension Breaker is a dispersant and is used to break down the surface tension of the acrylic paints.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt acts as a powerful penetrating agent. It is also known as \"watercolour medium\" or \"flow medium\".\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUsed correctly, it will make Matisse paint more \"\u003cem data-mce-fragment=\"1\"\u003erunny\u003c\/em\u003e\" by increasing its flow properties. Its presence within a water and paint mixture will greatly facilitate colour penetration into absorbent paper or fabric grounds, e.g. raw canvas.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is a very valuable additive in stain painting techniques and water wash applications when working on hand-pressed watercolour paper or absorbent, bleached but unprimed canvas.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor correct results, MM3 Surface Tension Breaker is always pre-diluted with the quantity of water to be used for thinning the paint. It is wise to prepare a stock jar of water with 5-10% MM3 Surface Tension Breaker and use this water for the overall painting.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM7 Polymer Gloss Varnish (Gloss Medium) and the other mediums such as MM4 Gel Medium and MM9 Acrylic Painting Medium, can also be treated with MM3 Surface Tension Breaker pre-diluted with water. The addition of a level teaspoon of pre-diluted MM3 Surface Tension Breaker to a 250ml jar of Matisse acrylic paint or painting medium will have a very noticeable dispersing effect.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUnprimed canvas which has been scoured and bleached (in order to remove cottonseed oils and seeds) or raw canvas, will perform very much better in stain painting techniques if the cloth is pre-washed in a water-diluted solution of MM3 Surface Tension Breaker. A diluted solution of MM3 Surface Tension Breaker can also be brushed straight onto the stretched canvas and allowed to dry.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM3 Surface Tension Breaker will also assist with the dispersion of colour when you are employing the paints in a watercolour technique.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"Default Title","offer_id":44974009516319,"sku":"1MM2M03","price":19.47,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm3-tension-breaker-250ml-matisse-mediums-matisse-56553883697439.jpg?v=1726683111"},{"product_id":"matisse-mm4-gel-medium","title":"Matisse MM4 Gel Medium","description":"\u003cp data-mce-fragment=\"1\"\u003eModern paint technology has facilitated the production of a true Gel Medium. The purpose of the \u003cstrong data-mce-fragment=\"1\"\u003eMM4\u003c\/strong\u003e Gel Medium is to act as a clear transparent colour extender in the production of brilliant coloured glazes and as a transparent impasto for thick 3-dimensional brush and knife applications of \u003ca href=\"https:\/\/derivan-matisse.squarespace.com\/products\/matisse-structure-formula\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/derivan-matisse.squarespace.com\/products\/matisse-structure-formula\" target=\"_blank\"\u003eMatisse Structure\u003c\/a\u003e. Its prime requirement is to be thick and buttery whilst remaining fully transparent.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMM4 Gel Medium is perhaps the most versatile medium in the Matisse range because of its multiple effects, particularly when intermixed with other mediums. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt acts as the main intermixing medium in acrylic painting when its rich buttery consistency is required for impasto work, 3-dimensional extrapolations, multi-layer work and heavy, smooth or textural glazes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen dry, it maintains the structure, brushstrokes and textural effects of undiluted Matisse Structure colours. Its inherent firm and buttery consistency makes it ideal for application by palette knife in order to achieve heavily textured grounds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eReduced with water and MM8 Spreader Medium, it adapts for thick but smooth flowing glazes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM4 Gel Medium, because of its viscous non-spreading consistency, enables the artist to apply thick and heavily defined brushstrokes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is well known that acrylic paints \"surface\" dry very rapidly but heavily imposed brushstrokes of paint take much longer to dry than thinly applied coats. The fact that the surface of the paint film dries rapidly causes moisture entrapment in the film underneath. This effect need not be detrimental to the painting as acrylic mediums are porous and allow for the gradual release of moisture during air drying. Nor does the artist experience any great problem of cracking or wrinkling because Matisse is a highly concentrated paint and once the available moisture has evaporated, the paint remains as a strong, solid, pliable and non-cracking film.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":44974009549087,"sku":"1MM2M04","price":20.74,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974009581855,"sku":"1MM1LM04","price":66.56,"currency_code":"AUD","in_stock":true},{"title":"4 Litre","offer_id":44974009614623,"sku":"1MM4LM04","price":211.91,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm4-gel-medium-matisse-mediums-matisse-56553716318495.png?v=1726683467"},{"product_id":"matisse-mm2-impasto","title":"Matisse MM2 Impasto","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMM2\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eImpasto Medium\u003c\/strong\u003e is a full-bodied texture paste and modelling compound. It may be thought of as a \"heavy-bodied paint\", free of colour pigmentation (however, it is not clear). This medium dries to a low subdued sheen which is similar to the sheen on a dried paint film of Matisse Colours and it is equally water-resistant.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM2 Impasto Medium allows for free intermixing with the Matisse Colours in any proportion. There is very little visual colour loss when, up to equal volumes of a Matisse Colour and MM2 Impasto Medium, are intermixed.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe presence of MM2 Impasto Medium on the canvas does not increase or lower the gloss rate of the finished painting, nor does it cause any light reflection distortion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlthough MM2 Impasto Medium is not fully transparent when dry, it will not alter the richness of Matisse Colours in any substantial way.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhereas MM2 Impasto Medium can be used with Matisse Flow Formula colours, Matisse Structure Formula colours are full-bodied acrylics and therefore complement the thick MM2 Impasto Medium. The MM2 Impasto Medium lends itself suitably for use as a light modelling compound. It can be applied by knife or brush in heavy blobs onto the primed canvas and, when dry, fully over-painted with Matisse Colours.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDo not use MM2 Impasto Medium as a transparent glue or size where its slightly milky opacity could cause some \"cloudiness\".\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM2 Impasto Medium should not be used for glazing effects. Use MM8 Spreader and MM4 Gel Medium with water in various proportions to produce totally transparent glazes. Glazing with MM2 Impasto Medium will cover and distort the work with a slight opaque effect.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":44974009647391,"sku":"1MM2M02","price":19.47,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974009680159,"sku":"1MM1LM02","price":59.76,"currency_code":"AUD","in_stock":true},{"title":"4 Litre","offer_id":44974009712927,"sku":"1MM4LM02","price":194.48,"currency_code":"AUD","in_stock":true},{"title":"10L","offer_id":46833007034655,"sku":"1XMM02","price":368.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm2-impasto-matisse-mediums-matisse-56552856256799.jpg?v=1726423731"},{"product_id":"matisse-mm1-retarder-250ml","title":"Matisse MM1 Retarder 250ml","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdditions of \u003cstrong data-mce-fragment=\"1\"\u003eMM1\u003c\/strong\u003e Drying Retarder may be used in watercolouring, water wash effects, stain painting and hard edge techniques where it assists in pigment wetting, rapid colour diffusion and penetration. On raw canvas, the addition of 3-5% \u003cstrong data-mce-fragment=\"1\"\u003eMM1\u003c\/strong\u003e Drying Retarder, pre-diluted with water, will improve the mixing of inorganic pigments, oxides, earth colours, titanium dioxide and metallic pigments.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMM1 Drying Retarder will slow the evaporation of water from the paint. However, excess amounts of MM1 Drying Retarder (over 10%) will severely slow “cross linking” of the acrylic. Therefore, even though the paint may look dry (and indeed all the water will have gone from the paint), it will not have “cross linked” or “cured” so it is able to be re-wet, i.e. with a wet brush or cloth. This allows the Matisse acrylic colours to be used just like watercolours. \u003cstrong data-mce-fragment=\"1\"\u003eAvailable in 250ml bottles \u003c\/strong\u003e\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"Default Title","offer_id":44974009745695,"sku":"1MM2M01","price":19.47,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm1-retarder-250ml-matisse-mediums-matisse-56553763340575.jpg?v=1726682755"},{"product_id":"mm29-satin-varnish-turps-based","title":"MM29 Satin Varnish - Turps Based","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eMatisse MM29 Final Varnish Satin Finish produces a hard, non-yellowing, protective coating with a semi-gloss sheen formulated to match the sheen of Matisse paint films. It is nearly invisible with a low sheen level whilst still remaining clear and free of haze. Unlike water-based varnishes, this varnish is removable or strippable, and can be re-dissolved in mineral turpentine, which has no effect on Matisse acrylic paints: thus a painting may be completely cleaned and re-varnished without affecting the painted surface. MM29 Satin Finish Varnish is an ideal varnish for use in restoration work (may be used on oil paintings).\u003c\/p\u003e\n\u003ch2\u003eUse\u003c\/h2\u003e\n\u003cp\u003eA minimum of two coats are recommended for a consistent varnish finish. Drying time is approximately 6-8 hours depending upon weather conditions. This product is also suitable for use over oil paints after they are completely dry (approximately 6-12 months).\u003c\/p\u003e\n\u003cp\u003eThis varnish should be stirred thoroughly as it contains a matting agent which will, in storage, tend to settle out and fall to the bottom of the container. It is clear and cannot be easily seen therefore always mix this varnish with a clean stick or mixing spatula before use. Shaking the container is not recommended as bubbles may form that can impact the final finish.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eClean Up\u003c\/h2\u003e\n\u003cp\u003eIt is recommended to clean your brush as soon as you finish the application. Always clean brushes with mineral turpentine first. This will remove most of the traces of varnish from the brush. Finish by using liquid or bar of soap in the palm of your hand and scrub the brush back and forth until you form a lather. Rinse well and let dry flat. Using soap and lukewarm water will condition the brush's hair and prevent it from becoming stiff after drying due to any turpentine (or other solvent) residue left on them.\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\u003c\/ul\u003e","brand":"MATISSE VARNISH","offers":[{"title":"250ml","offer_id":44974048968991,"sku":"1MM2M29","price":24.74,"currency_code":"AUD","in_stock":true},{"title":"500ml","offer_id":44974049001759,"sku":"1MM5M29","price":42.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/mm29-satin-varnish-turps-based-matisse-varnish-250ml-matisse-56554008510751.png?v=1726404655"},{"product_id":"mm15-matt-varnish-turps-based","title":"MM15 Matt Varnish - Turps Based","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eMatisse MM15 Matt Varnish\u003c\/strong\u003e produces a hard, non-yellowing, protective coating with a subdued matt sheen formulated to match the sheen of Matisse paint films. It is nearly invisible with one of the lowest sheen levels available whilst still remaining clear and free of haze. Unlike water-based varnishes, this varnish is removable or strippable, and can be re-dissolved in mineral turpentine, which has no effect on Matisse acrylic paints: thus a painting may be completely cleaned and re-varnished without affecting the painted surface. MM15 Final Varnish Matt Finish is an ideal varnish for use in restoration work (may be used on oil paintings).\u003c\/p\u003e\n\u003ch2\u003eUse\u003c\/h2\u003e\n\u003cp\u003eA minimum of two coats are recommended for a consistent subdued sheen finish. Drying time is approximately 6-8 hours depending upon weather conditions. This product is also suitable for use over oil paints after they are completely dry (approximately 6-12 months).\u003c\/p\u003e\n\u003cp\u003eThis varnish should be stirred thoroughly as it contains a matting agent which will, in storage, tend to settle out and fall to the bottom of the container. It is clear and cannot be easily seen therefore always mix this varnish with a clean stick or mixing spatula before use. Shaking the container is not recommended as bubbles may form that can impact the final finish.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eClean Up\u003c\/h2\u003e\n\u003cp\u003eIt is recommended to clean your brush as soon as you finish the application. Always clean brushes with mineral turpentine first. This will remove most of the traces of varnish from the brush. Finish by using liquid or bar of soap in the palm of your hand and scrub the brush back and forth until you form a lather. Rinse well and let dry flat. Using soap and lukewarm water will condition the brush's hair and prevent it from becoming stiff after drying due to any turpentine (or other solvent) residue left on them. \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\u003c\/ul\u003e","brand":"MATISSE VARNISH","offers":[{"title":"250ml","offer_id":44974049427743,"sku":"1MM2M15","price":24.74,"currency_code":"AUD","in_stock":true},{"title":"500ml","offer_id":44974049460511,"sku":"1MM5M15","price":42.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/mm15-matt-varnish-turps-based-matisse-varnish-250ml-matisse-56554043932959.jpg?v=1726404475"},{"product_id":"mm14-gloss-varnish-turps-based","title":"MM14 Gloss Varnish - Turps Based","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eMM14 Final Varnish Gloss Finish \u003c\/strong\u003eThis varnish produces a hard non-yellowing, protective coating similar in appearance to Damar varnish. It is a final varnish that dries to a clear gloss finish, is quick drying and will increase the depth and intensity of acrylic colours. It is designed to give your painting that final glow. Strippable, the varnish re-dissolves in mineral turpentine, which has no effect on Matisse acrylic paints: thus a painting may be completely cleaned and re-varnished without affecting the paint. Ideal varnish for use in restoration work.\u003c\/p\u003e\n\u003ch2\u003eUse\u003c\/h2\u003e\n\u003cp\u003eTwo coats are recommended to achieve a consistent high gloss finish. Allow the first coat of varnish to completely dry before applying the next coat. This product is also suitable for use over oil paints after they are completely dry (approximately 6-12 months). Follow the same rule of two coats to achieve a consistent gloss finish. Drying time is approximately 6-8 hours depending upon weather conditions. Over oil paints this varnish can also be used as a Retouch Varnish (a retouch varnish can be achieved with the addition of 80% mineral turps). Retouch Varnish is known as a temporary varnish. It gives the artist and indication of what dried colours would look like when wet, so the painting can be continued with colour accuracy. Retouch varnish is not a final varnish.\u003c\/p\u003e\n\u003ch2\u003eClean up\u003c\/h2\u003e\n\u003cp\u003eIt is recommended to clean your brush as soon as you finish the application. Always clean brushes with mineral turpentine first. This will remove most of the traces of varnish from the brush. Finish by using liquid or bar of soap in the palm of your hand and scrub the brush back and forth until you form a lather. Rinse well and let dry flat. Using soap and lukewarm water will condition the brush's hair and prevent it from becoming stiff after drying due to any turpentine (or other solvent) residue left on them. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDue to \u003cstrong\u003edangerous goods regulations\u003c\/strong\u003e this item will incur a surcharge for freight.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\u003c\/ul\u003e","brand":"MATISSE VARNISH","offers":[{"title":"250ml","offer_id":44974049624351,"sku":"1MM2M14","price":24.74,"currency_code":"AUD","in_stock":true},{"title":"500ml","offer_id":44974049657119,"sku":"1MM5M14","price":42.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/mm14-gloss-varnish-turps-based-matisse-varnish-250ml-matisse-56554022502687.jpg?v=1726404301"},{"product_id":"mm19-polyurethane-gloss-varnish","title":"MM19 Polyurethane Gloss Varnish","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eMM19\u003c\/strong\u003e Polyurethane Gloss Varnish is specially formulated for use in folk art techniques, this water-based finishing varnish provides a clear high gloss non-yellowing finish.\u003c\/p\u003e\n\u003cp\u003eFor a protective surface coating use direct from bottle.\u003c\/p\u003e\n\u003cp\u003eDo not dilute with water.\u003c\/p\u003e\n\u003cp\u003eAllow at least 6 hours drying time between coats.\u003c\/p\u003e\n\u003cp\u003eDo not use Matisse MM19 Poly-U-Gloss Varnish over oil-based paints or oil-based antiquing finishes.\u003c\/p\u003e\n\u003cp\u003eDo not use on paper, canvas or other flexible substrates.\u003c\/p\u003e\n\u003cp\u003eWater-resistant, heat-resistant, quick drying, and flexible.\u003c\/p\u003e\n\u003ch2\u003eVarnishing\u003c\/h2\u003e\n\u003cp\u003eA varnish is a clear coat applied over the top of an artwork. It has two main functions - to give an even sheen to the work, which will in turn help to bring out the full intensity and beauty of the pigments, and to protect it from several different areas of attack such as wear and tear and airborne grime and chemicals.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"MATISSE VARNISH","offers":[{"title":"250ml","offer_id":44974050410783,"sku":"1MM2M19","price":31.88,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974050443551,"sku":"1MM1LM19","price":120.02,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/mm19-polyurethane-gloss-varnish-matisse-varnish-matisse-56555457741087.jpg?v=1726404481"},{"product_id":"mm11-polyurethane-satin-varnish","title":"MM11 Polyurethane Satin Varnish","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eMM11 \u003c\/strong\u003ePolyurethane Satin Varnish is a very popular varnish used in folk art techniques.\u003c\/p\u003e\n\u003cp\u003eAlways stir before use to ensure even distribution of the matting agent. This water-based finishing varnish provides a clear, non-yellowing and hard-wearing finish for all hard surfaces painted with acrylic paints. A lovely satin varnish which is not too glossy but still has an alive look about it without being matt. Apply with a soft brush.\u003c\/p\u003e\n\u003cp\u003eDo not use MM11 Satin Varnish over oil-based paints or oil-based antiquing finishes. Do not add water. Do not use on paper, canvas or other flexible substrates.\u003c\/p\u003e\n\u003ch2\u003eVarnishing\u003c\/h2\u003e\n\u003cp\u003eA varnish is a clear coat applied over the top of an artwork. It has two main functions - to give an even sheen to the work, which will in turn help to bring out the full intensity and beauty of the pigments, and to protect it from several different areas of attack such as wear and tear and airborne grime and chemicals.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"MATISSE VARNISH","offers":[{"title":"250ml","offer_id":44974050640159,"sku":"1MM2M11","price":31.88,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974050672927,"sku":"1MM1LM11","price":120.02,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/mm11-polyurethane-satin-varnish-matisse-varnish-mm11-polyurethane-satin-varnish-art-supplies-online-matisse-56553969123615.jpg?v=1726403934"},{"product_id":"mm33-uv-conservation-varnish","title":"MM33 UV Conservation Varnish","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e Matisse MM33 UV* Conservation Varnish\u003c\/strong\u003e produces a hard, non-yellowing, UV protected coating similar in appearance to Damar varnish. it is a final clear gloss varnish (similar to Matisse MM14 Gloss Varnish), quick drying, designed to give your painting that final “glow”, but with the added benefit of UV protection. This makes it ideal for varnishing items that will be exposed to daylight or for extending the light fastness of items that are not traditionally so e.g. printed images from your home printer. MM33 UV Conservation Varnish will slow the rate of fading of printed material as it reduces UV light spectrum by more than 99%.\u003c\/p\u003e\n\u003cp\u003eEasily dissolved with mineral turpentine, this varnish can be removed without any impact if applied over Matisse Acrylic paints. If used over other brands of acrylic paint a patch test in an inconspicuous area is recommended.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAvailable in 250ml and 500ml sizes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e*the term UV refers to Ultra Violet radiation present in artificial and natural sources such as sunlight and often manifests itself as discoloration or fading, cracking, and, sometimes, total product disintegration if cracking has proceeded sufficiently.\u003c\/p\u003e\n\u003ch2\u003eHow to Use it:\u003c\/h2\u003e\n\u003cp\u003eMM33 UV Conservation Varnish is easily applied with a soft bristled brush. It does not need to be diluted and can be used straight from the container. The size of brush chosen will depend on the area to be varnished and the dimensions of the artwork. Apply in light coats moving quickly over the surface. Avoid over working the varnish as the surface may become matted if brushing continues as the varnish begins to dry. Two coats of UV Varnish are recommended, ensuring that the first coat is thoroughly dry before a second application. Under regular conditions (20C), this varnish should be dry within 4-6 hours. If uncertain, leave to dry for 24 hours before applying the next coat.\u003c\/p\u003e\n\u003ch2\u003eGeneral Varnish Application Tips:\u003c\/h2\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eUV Conservation Varnish can be applied over Oils, Alkyds, Acrylics and printed surfaces. It is highly recommended a test piece should always be done when applying over a non-Matisse product and especially on printed surfaces.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVarnishes should only be applied over completely dry surfaces.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMake sure you work in a well ventilated area and children and pets are not in the immediate surroundings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEnsure the surface is dust and hair free by wiping with a dry, clean cloth.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eApply the varnish with a soft bristled brush to create a smooth, even finish. The method of brush application, be it in horizontal, vertical or crisscross strokes is a matter of personal preference. It is best to try each method to see which one works best for you.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVarnishes are best applied when the item is horizontal. This will prevent the varnish dripping and running down the surface.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA couple of lighter coats are more effective and less problematic than applying a single, thick coat.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eApply each coat of varnish in one sitting to the whole painting. This will minimise any contrast between areas that have been varnished on separate occasions.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eCleaning Up:\u003c\/h2\u003e\n\u003cp\u003eClean up your equipment as soon as you have finished application. Mineral turpentine is recommended to remove this varnish from brushes and hands. It is advisable to rinse brushes in clean warm soapy water, so bristles remain soft and all residue from varnish and solvents is removed. Wash skin thoroughly with soap and water after removal.\u003c\/p\u003e\n\u003ch2\u003eRemoval:\u003c\/h2\u003e\n\u003cp\u003eBe aware that any removal of varnish layers procedure should be carefully undertaken as this will affect directly the painted surface and may change, and in some cases even damage, the substrate if improperly handled. If in doubt, this process should be left to specialised conservators particularly with works of high value, whether sentimental or financial.\u003c\/p\u003e\n\u003cp\u003eAs the removal procedure of varnishes involve the use of solvents, please consider wearing protective clothing and equipment and work in a well ventilated area.\u003c\/p\u003e\n\u003cp\u003eUV Conservation Varnish can be easily removed with mineral turpentine if used over Matisse Acrylic Structure and Flow formulas. Apply the mineral turpentine directly to a thick, soft, low-lint cloth and lightly buff the surface until the varnish begins to dissolve. With another clean cloth dampened in turpentine gently pat the surface to remove the varnish and clean the area worked on. A patch test in an inconspicuous area is recommended if removing this varnish from non-Matisse brand acrylic paint. Be aware that vigorous rubbing may cause any acrylic paint to lift during varnish removal.\u003c\/p\u003e\n\u003ch2\u003eOther Uses:\u003c\/h2\u003e\n\u003cp\u003eTo use UV Conservation Varnish as a retouch varnish for oil paintings, mix with 50% mineral turpentine. Retouch varnish is known as a temporary varnish. It gives the artist and indication of what dried colours would look like when wet, so the painting can be continued with colour accuracy. It is not a final varnish.\u003c\/p\u003e\n\u003ch2\u003eTech Summary\u003c\/h2\u003e\n\u003cp\u003eThe UV protectors serve two important purposes. Firstly it acts as a “radical scavenger”. The UV protectors scavenge and trap the radicals and convert them into harmless ketones and alcohols. The second purpose it to absorb UV light and convert it into heat. Both these combined protect against colour change of the substrate and gloss reduction of the varnish itself when exposed to UV. The UV protectors are re-generating, and depending on the exposure of the coating, will continue to protect it for many years. This product uses a combination of two technologies to provide maximum protection, HALS and UV-A. HALS (hindered amine light stabilizers) is what we call a 'radical scavenger'.  It reacts with radicals initiated by thermo or photo-oxidative degradation caused by UV light.  The HALS scavenges and traps the radicals and converts them into harmless ketones and alcohols.  The main purpose of the HALS is to protect against gloss reduction, cracking, yellowing and chalking.\u003c\/p\u003e\n\u003cp\u003eUV-A (Ultra Violet Absorber) absorbs the UV light and converts it into harmless heat.  This mainly protects against colour change (fading), but also protects against delamination, blistering and gloss reduction.\u003c\/p\u003e\n\u003cp\u003eBoth the HALS and UV-A are re-generating - they continue to scavenge and absorb once the coating has formed.  By using both HALS\/UV-A synergistically together, you obtain maximum protection from UV degridation.  Depending on the exposure of the coating, the HALS\/UV-A will protect the coating for many years.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDue to \u003cstrong\u003edangerous goods regulations\u003c\/strong\u003e this item will incur a surcharge for freight.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"MATISSE VARNISH","offers":[{"title":"250ml","offer_id":44974050705695,"sku":"1MM2M33","price":28.39,"currency_code":"AUD","in_stock":true},{"title":"500ml","offer_id":44974050738463,"sku":"1MM5M33","price":48.62,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/mm33-uv-conservation-varnish-matisse-varnish-250ml-matisse-56555481727263.jpg?v=1726404661"},{"product_id":"mm7-polymer-gloss-varnish","title":"MM7 Polymer Gloss Varnish","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eMM7\u003c\/strong\u003e Polymer Gloss Varnish \u0026amp; Medium serves both as a gloss finishing varnish and as a glossy additive to the paint. The use of this varnish will help maintain colour intensity with a gloss finish comparable to that of oil paintings\u003c\/p\u003e\n\u003cp\u003eMixed with Matisse Colours, it increases gloss and flow characteristics. Used as a finishing varnish, it produces a strong, protective, tack-free, clear film. Pictures treated with MM7 Polymer Gloss Varnish will look like work done with oil paints or shiny enamel. MM7 Polymer Gloss Varnish and MM6 Polymer Matt Varnish are freely intermixable to achieve a semi-gloss or satin finish. MM7 dries completely clear, is non-yellowing and it will remain totally flexible. Polymer water-based varnishes may appear to be slightly hazy whilst in solution. This is an optical effect produced by light refraction of acrylic particles suspended within the water-based medium. The effect disappears when the film is dry.\u003c\/p\u003e\n\u003ch2\u003eApplication\u003c\/h2\u003e\n\u003cp\u003eAs acrylics dry very rapidly, care should be taken to apply varnish pre-diluted with water \u003cem\u003e(how much water will depend on the temperature, humidity and how thickly you apply each coat, however, a good starting point is somewhere between 10% to 20% water to medium with a maximum of 50%). \u003c\/em\u003ePolymer Varnish, applied in very thick layers on a hot day, could trap moisture, resulting in a cloudy film which would be very difficult to correct.\u003c\/p\u003e\n\u003cp\u003eAll Matisse painting mediums are freely intermixable, e.g. Polymer Gloss Varnish will intermix with MM6 Polymer Matt Varnish to give a subdued gloss effect; MM8 Spreader Medium will intermix with the above to offer various degrees of water resistance and flow.\u003c\/p\u003e\n\u003cp\u003eNevertheless, painters are advised to use some discretion in pre-determining their selection of mediums to avoid accidentally eliminating their intrinsic qualities or beneficial effects, e.g. artists using MM5 Matt Medium would be ill-advised to finish their painting with a Polymer Gloss Varnish.\u003c\/p\u003e\n\u003cp\u003eAfter application, drying time will be approximately 1-2 hours, depending upon weather conditions. Do not attempt to speed the drying process with a heat source such as a blow dryer or fan heater, as this may cause cracking. MM7 Polymer Gloss Varnish is not suitable for use over oil paints. Do not allow to freeze.\u003c\/p\u003e\n\u003cp\u003eMM7 Polymer Gloss Varnish and medium is also an archival adhesive and most suitable replacement for PVA glues which will yellow and go brittle in a short period of time.\u003c\/p\u003e","brand":"MATISSE VARNISH","offers":[{"title":"250ml","offer_id":44974050902303,"sku":"1MM2M07","price":20.74,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974050935071,"sku":"1MM1LM07","price":66.56,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/mm7-polymer-gloss-varnish-matisse-varnish-matisse-56555472388383.jpg?v=1726404836"},{"product_id":"mm6-polymer-matt-varnish","title":"MM6 Polymer Matt Varnish","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eMM6\u003c\/strong\u003e Polymer Matt Varnish can be used as a final varnish over a dried, well-cured acrylic painting when a flat, matt or very low sheen is required (and the use of \u003ca href=\"https:\/\/derivan-matisse.squarespace.com\/products\/matisse-mediums\/full-list-of-matisse-mediums\/mm15-matt-varnish-turps-based-mm2m15\" target=\"_blank\"\u003eMM15 Matt Varnish\u003c\/a\u003e (turps-based) is not appropriate).\u003c\/p\u003e\n\u003cp\u003eMost suitable as a protective coating particularly over large works exposed to damage in public galleries, commercial paintings required for floodlit photographic reproduction and paintings that would be improved by eliminating unbalanced glossy highlights. Although white in colour, MM6 Polymer Matt Vanish dries completely clear and is non-yellowing.\u003c\/p\u003e\n\u003ch2\u003eApplication\u003c\/h2\u003e\n\u003cp\u003eIt is recommended that this product be stirred thoroughly before application, as it contains a matting agent that can settle at the bottom of the container. Avoid shaking the container as this can cause bubbles to form that may affect the finish. Do not allow to freeze.\u003c\/p\u003e\n\u003cp\u003eAdd approximately 20% water to increase the flow of MM6 Polymer Matt Vanish and apply with a soft bristled brush to minimise brush streaks. On application, this varnish may appear to be slightly white, but will become transparent as it dries. It is important to apply the product rapidly and not keep working the surface as it begins to dry. Doing so can result in white patches as the brush scratches the drying varnish. A minimum of two coats is recommended for a consistent matt finish. MM6 Polymer Matt Vanish is not suitable for use over oil paints.\u003c\/p\u003e\n\u003cp\u003eDrying time is approximately 1-2 hours, (leave 24 hours before re-coating) depending upon weather conditions. Do not attempt to speed the drying process with a heat source such as a blow dryer or fan heater, as this may cause cracking over time. Also exercise caution when applying any polymer varnish in very thick layers on a hot day, as moisture can become trapped in the drying surface, causing a cloudy finish that is very difficult to correct.\u003c\/p\u003e\n\u003cp\u003eAlthough MM6 Polymer Matt Varnish can be used in a mixture with Matisse paint, its effect within the paint would not be as pronounced as when using MM5 Matt Medium which contains a far greater percentage of flattening agents.\u003c\/p\u003e\n\u003cp\u003eBoth the MM6 Polymer Matt Varnish and the MM7 Polymer Gloss Varnish can be mixed together to achieve a range of semi-gloss or satin finishes – or simply use the MM28 Polymer Satin Varnish.\u003c\/p\u003e","brand":"MATISSE VARNISH","offers":[{"title":"250ml","offer_id":44974051197215,"sku":"1MM2M06","price":20.74,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974051229983,"sku":"1MM1LM06","price":66.56,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/mm6-polymer-matt-varnish-matisse-varnish-matisse-56555445322015.jpg?v=1726404829"},{"product_id":"mm28-polymer-satin-varnish","title":"MM28 Polymer Satin Varnish","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eMM28 Polymer Satin Varnish\u003c\/strong\u003e is a water-based acrylic varnish containing matting agents to reduce sheen, resulting in a satin finish which is not too glossy but still has a lively look about it without being matt. MM28 Polymer Satin Varnish will help to bring out the intense, vibrant colours of the Matisse Professional Artist Acrylics range. Use as a final varnish over a dried, well-cured acrylic painting where a satin or semigloss sheen is required (and the use of MM29 Final Varnish Satin Finish (Turps-based) is not appropriate).\u003c\/p\u003e\n\u003cp\u003eThis varnish may be used to matt off a work for photography or wherever a subdued satin finish is required. It is most suitable as a protective coating particularly over large works exposed to damage in public galleries, commercial paintings required for floodlit photographic reproduction and paintings that would be improved by eliminating unbalanced glossy highlights.\u003c\/p\u003e\n\u003ch2\u003eApplication\u003c\/h2\u003e\n\u003cp\u003eMM28 Polymer Satin Varnish may be used as a final varnish and dries non-yellowing and completely clear. As acrylics dry very rapidly, care should be taken to apply varnish pre-diluted with water. How much water will depend on the temperature, humidity and how thickly you apply each coat. However a good starting point is somewhere between 1 part water to 1 to 2 parts varnish. Polymer Varnish, applied in very thick layers on a hot day, could trap moisture, resulting in a cloudy film which would be very difficult to correct.\u003c\/p\u003e\n\u003cp\u003eMM28 Polymer Satin Varnish can also be used as a matting medium added into the paint. This varnish should be thoroughly stirred as it contains a matting agent, which may, in prolonged storage, tend to settle out and fall to the bottom of the container.\u003c\/p\u003e\n\u003cp\u003ePolymer water-based varnishes may appear to be slightly hazy whilst in solution. This is an optical effect produced by light refraction of acrylic particles suspended within the water-based medium. The effect disappears when the film is dry. MM6 Polymer Matt Varnish and MM7 Polymer Gloss Varnish are freely intermixable with MM28 Polymer Satin Varnish to alter the sheen level of the varnish as desired. Do not use over oil-based paints. Do not allow to freeze.\u003c\/p\u003e","brand":"MATISSE VARNISH","offers":[{"title":"250ml","offer_id":44974051393823,"sku":"1MM2M28","price":20.74,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":44974051426591,"sku":"1MM1LM28","price":66.56,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/mm28-polymer-satin-varnish-matisse-varnish-matisse-56553990652191.jpg?v=1726404649"},{"product_id":"matisse-mm40-super-heavy-gel-medium-gloss","title":"Matisse MM40 Super Heavy Gel Medium Gloss","description":"\u003cp\u003eMatisse MM40 Super Heavy Gel Medium Gloss is a professional-grade medium perfect for glazing, extending colours, altering sheen, and changing paint body. Its ultra-high build and gloss texture glaze provide a rich and stiff gel texture that dries completely transparent and non-yellowing. Perfect for professional artists seeking dynamic palette knife and brush techniques.\u003c\/p\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":45166199996703,"sku":"1MM2M40","price":20.74,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":45166200029471,"sku":"1MM1LM40","price":66.56,"currency_code":"AUD","in_stock":true},{"title":"4L","offer_id":50600373453087,"sku":"1MM4LM40","price":211.9,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm40-super-heavy-gel-medium-gloss-matisse-mediums-250ml-matisse-56556896813343.jpg?v=1726683471"},{"product_id":"matisse-mm39-watercolour-ground","title":"Matisse MM39 Watercolour Ground","description":"\u003ch3 class=\"MsoNormal\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eMatisse MM39 Watercolour Ground allows you to apply watercolour paints on virtually any surface. Its absorbent, acid-free formula creates an ideal base for watercolour techniques and mixed media, ensuring archival quality. With a thinner consistency than standard grounds, it spreads smoothly on glass, metal, fabric, plastic, plaster, perspex, ceramic, and wood. Perfect for extending watercolour onto canvas, repairing paintings, or framing without glass, this versatile ground expands creative possibilities beyond traditional paper to a wide range of substrates.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"MATISSE MEDIUMS","offers":[{"title":"250ml","offer_id":51243521212703,"sku":"1MM2M39","price":19.47,"currency_code":"AUD","in_stock":true},{"title":"1 Litre","offer_id":51243521245471,"sku":"1MM1LM39","price":59.76,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/9217\/9743\/files\/matisse-mm39-watercolour-ground-matisse-mediums-matisse-mm39-watercolour-ground-matisse-1193909210.jpg?v=1758454055"},{"product_id":"matisse-dry-medium-crushed-garnet-250ml","title":"Matisse Dry Medium Crushed Garnet 250ml","description":"\u003cp\u003eFine deep reddish-brown to maroon crushed garnet grains, dark red-brown sand texture. 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